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Category People & Blogs; Suggested by SME Mariah Carey - Hero (Official Video) Song Hero; Artist Mariah Carey; Writers Mariah Carey, Walter Afanasieff. Mariah Carey became the third child in the family of Patricia Hickey, former opera singer, and Alfred Roy Carey, aeronautical engineer. Mariah got Irish, African and Venezuelan roots from her parents, who divorced when she was only three. Mariah Carey 1,441,528 views. 50+ videos Play all Mix - Mariah Carey - Obsessed (with download link) YouTube; Why you so obsessed with me? - Tik Tok Challenge - Duration: 8:59. Mariah Carey's music runs on twin tracks: languid, dripping pop-soul ballads and club-ready jams, often with a healthy dose of hip-hop injected. She provided the '90s with some of its biggest hits, from the still-indelible 'Vision of Love' to the Boyz II Men collaboration 'One Sweet Day.'

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• Mariah Carey Caution Album Download. Mariah Carey Caution Album Download – With her stunning, multi-octave voice, the Greenlawn native could easily be cranking out moneymaking collections of covers or adult pop ballads. Instead, she continues to forge her own way — right through the intersection of pop, R&B and hip-hop — with mixed results.

Mariah Carey is the debut studio album by American singer and songwriter Mariah Carey, released on June 12, 1990 by Columbia Records. Its music incorporates a range of contemporary genres with a mix of slow ballads and up-tempo tracks. Originally, Carey wrote four songs with Ben Margulies, which solely constituted her demo tape. After Carey was signed to Columbia, all four songs, after being altered and partially re-recorded, made the final cut for the album. Aside from Margulies, Carey worked with a range of professional writers and producers, all of whom were hired by Columbia CEO, Tommy Mottola. Mariah Carey featured production and writing from Rhett Lawrence, Ric Wake and Narada Michael Walden, all of whom were top record producers at the time. Together with Carey, they conceived the album and reconstructed her original demo tape.

Reviews of the album generally complimented Carey's voice and technique, but were ambivalent towards the songwriting. It nonetheless became a commercial success, topping the Billboard 200 album chart for eleven consecutive weeks. Mariah Carey was certified nine-times Platinum by the Recording Industry Association of America (RIAA), denoting shipments of nine million copies in the United States. The album experienced similar success in Canada, where it topped the charts and was certified seven-times Platinum. Mariah Carey fared well in other worldwide territories, reaching the top ten in the Netherlands, Australia, New Zealand, Norway, Sweden and United Kingdom. Worldwide, the album has sold more than 15 million copies.

Five singles were released from the album, four of which became number-one hits on the Hot 100. 'Vision of Love' was chosen as the album's lead single, topping the charts in Canada, New Zealand, and the United States. The song was critically lauded, and is regarded as one of the strongest debut singles by a female artist. The album's second single, 'Love Takes Time' was also well received and topped the charts in Canada and the US. With the following two singles, 'Someday' and 'I Don't Wanna Cry' reaching number one in the US, Carey became the first artist since The Jackson 5 to have their first four singles top the charts in the United States.

• 3Promotion
• 4Critical reception
• 8Charts

Background[edit]

In 1988, an 18-year-old Carey moved out of her mother's house in Long Island, and into a small apartment in Manhattan.^[2] She had a demo tape consisting of four songs, which she had written during her high school years with Ben Margulies.^[2] As 1988 unfolded, Carey, still without a record deal, struggled to draw the attention of record executives in New York. While working several jobs, she continued writing and producing music with Margulies, making changes and additions to the demo.^[3] After months of difficulty, Carey met with singer Brenda K. Starr, and soon began singing back-up for her.^[3] Eventually, Starr began hearing what she described as 'glimpses' of Carey's voice throughout sessions, and noticed her 'gifted voice'.^[4] She realized Carey was capable of achieving success, but only needed help to break through into mainstream music.^[4]

—Carey, on auditioning for her position as back-up with Starr^[3]

One night, Starr took Carey to a record industry gala, attempting to convince a record label executive to listen her demo.^[5]Jerry L. Greenberg, president of Atlantic Records took notice of her.^[5] As Carey handed him the record, Tommy Mottola quickly grabbed the tape, insisting that he would deal with 'the project'.^[5] As Mottola got into his limousine later that evening, he played Carey's demo and quickly realized the talent that he had just discovered. He quickly returned to the event, but a discouraged Carey had already left.^[5]

—Don Ienner, president of Columbia Records, on his plans for working with Carey^[6]

After a week of tracking her down through Starr's management, Mottola got in touch with Carey and brought her over to Columbia Records.^[5] After meeting with Carey and her mother Patricia for the first time, Mottola said, 'When I heard and saw Mariah, there was absolutely no doubt that she was in every way destined for super-stardom.' After a few brief meetings, Carey was signed to Columbia in December 1988.^[5]

Mottola had assumed the top position at Sony, the parent label of Columbia, and began taking the company through various stages of change.^[5] One he felt was very important for the label's success was to discover a young and very talented female vocalist, to rival Whitney Houston from Arista Records, or a pop star to match Madonna, who was signed to Sire Records at the time.^[5] He felt that Carey represented both. Mottola's confidence in Carey led him to hire a range of talented and well-known musicians and songwriters to assist with Carey's demo, as well as to create new material. Among them were Ric Wake, Narada Michael Walden and Rhett Lawrence.^[5]

Recording and composition[edit]

—Ben Margulies, about his collaboration with Carey^[7]

Carey and Ben Margulies began writing prior to Carey's signing, and had composed over fourteen songs; seven of which earned a place on the album.^[2] Originally, Carey and Margulies planned to produce the entire album as well, an idea her label did not permit.^[2] On the album, Carey worked with a range of producers and writers, including from Ben Margulies, Rhett Lawrence, Narada Michael Walden, Ric Wake and Walter Afanasieff; the latter would continue working extensively with Carey on future projects.^[2] As production for the album began, Carey worked with Walden in New York, where they produced 'I Don't Wanna Cry'. While he described Carey as 'very shy,' he noted how professional she was for someone her age.^[8] Additionally, Carey wrote 'There's Got to Be a Way' during her first recording session with Wake.^[9] During the session, they wrote four songs, but they only produced the latter song for the album. After flying to New York and working with Carey, Walden was astonished by her voice.^[9] Together, they collaborated on transforming many of the demo's songs into more commercial recordings, which took place in Tarpan Studios in San Rafael, California.^[10] For her work with Lawrence, Carey traveled to New York once again. In the studio, she presented him with the demo of 'Vision of Love' which she had written with Margulies years prior. Lawrence saw 'potential' in the song, but he did not think much of it in its early stages.^[10] He described the song's sound as having a 'fifties sort of shuffle'.^[10] According to Lawrence, Carey needed a more contemporary sound, so they met in the studio alongside Margulies and producer Chris Toland. They added a new arrangement to the original chord progression, while Carey changed the song's melody and key. Afterwards, Margulies added few drum notes to the arrangement, including additional guitar and bass notes.^[10]

—Carey, on the high notes she hit while experimenting with her voice in the studio^[11]

When Carey worked with Walden on 'I Don't Wanna Cry', they worked on several other songs.^[10] Together, they decided to 'slow down the tempo' and create a 'crying type of ballad,' one which according to him, featured a direct inspiration from gospel genres.^[10] After they completed the song, Lawrence noted how much of a perfectionist Carey was. He said that after finishing the song, she returned to the studio the following week, all in order to correct 'one line' that troubled her.^[10] As one of the four original songs she gave to Mottola, 'Someday' became Wake's favorite from the start, 'I loved that song right from the beginning...Then Mariah called me one day and said 'I'd love to do it if you want to do it.' It was great, I'm glad she called me.'^[12] During its recording, Carey revealed how the song came into existence. She had been working on the demo with Margulies in his studio.^[12] As he began playing different notes on the electric keyboard, Carey directed him on the chord changes, while providing the chorus, lyrics and melody.^[12] In 'All in Your Mind', Carey does a great vocal performance, doing staccatos up to F7.^[13] According to the artist, her voice 'split' while doing those ornaments.^[11] While she thought to remove it from the song's recording, Wake and Walden were very impressed by the vocal flips, claiming that it would fit in perfectly.^[11]

The debut album was completed and being mastered when Carey wrote 'Love Takes Time' with Ben Margulies. Margulies said, 'It was sort of a gospelish thing I was improvising, then we began working on it. It was on a work tape that we had...and we recorded a very quick demo. It was just a piano vocal demo - I played live piano, and she sang it.'Carey was on a mini-tour of ten states, playing acoustically with a piano player and three back-up singers. While on a company plane, she played the demo of 'Love Takes Time' for Columbia Records president Don Ienner. 'All the important guys were on the plane,' Margulies said. 'Tommy Mottola, Ienner, and Bobby Colomby.' Carey was told the song was a 'career-maker,' and that it had to go on the first album. She protested - her album was already being mastered, and she intended this ballad for her next release.

The demo was sent to producer Afanasieff. When Carey flew west to work with Narada Michael Walden on some tracks for her first album, Tommy Mottola and Don Ienner were impressed with Afanasieff's work and gave him an executive staff producer job with the label. 'I guess to see if he made the right choice, (Tommy) called me up one day,' remembers Afanasieff. 'He said, 'We've got this Mariah Carey album done, but there's a song that she and Ben Margulies wrote that is phenomenal, and I want to try everything we can to put it on the album.' I said, 'What do you want me to do?' and he said, 'You only have a couple of days, but are you ready to cut it?' I couldn't believe the opportunity that it was. I'd never produced anything by myself up until that time.'

The demo was very close to what Mottola wanted the finished product to be, according to Afanasieff. 'We cut the song and the music and the basics in about a day - and the only reason is this deadline. It was do it or we were gonna miss out on the whole thing. We got the tape and recorded everything and we got on the plane and went to New York (and) did her vocals. She did all the backgrounds, practically sang all night...We came back to the studio that afternoon, and we had to fix one line very quickly, and then (engineer) Dana (Jon Chapelle) and I got back on the plane with the tape, went back to the studio in Sausalito, and mixed it. So it was a three-day process: a day and a half for music, kind of like a day for vocals, and a day for mixing.'

Afanasieff heard from Columbia executives as soon as they received the mix. They wanted Carey's vocal a little louder, so a remix was quickly completed. The producer asked if the song would still make the debut album, and was told, 'We're going to do our best.'

On the first copies of the album that were printed, 'Love Takes Time' was not listed on the cassette or compact disc liner notes, even though the song was on the cassette or CD itself. '(On) some of the original first copies of the record, they didn't have time to print the name of the song,' Margulies laughs. 'And so the song's on there, but it doesn't say that it's on there. It was a song that actually was strong enough to stop the pressing...I don't know if they had to throw away a few hundred copies.'^[14]

Promotion[edit]

Aside from the heavy marketing and promotional campaign held by Sony Music, Carey performed on several television programs and award ceremonies, stateside and throughout Europe. Carey's first televised appearance was at the 1990 NBA Playoffs where she sang 'America the Beautiful'.^[15] Soon after, she performed 'Vision of Love' back-to-back on both The Arsenio Hall Show and The Tonight Show.^[15] In September 1990, Carey appeared on Good Morning America where she performed an a cappella version of 'Vision of Love,' alongside the Billy T. Scott Ensemble.^[15] 'Vision of Love' was performed on various other American television shows such as the 1991 Grammy Awards and The Oprah Winfrey Show, as well as European programs such as The Veronica Countdown (The Netherlands) and the Wogan Show (United Kingdom). Carey has performed 'Vision of Love' on most of her tours, up until her Angels Advocate Tour in 2010, where it remained absent from the set-list.^[15]

Promotion for the album continued with Carey's follow up singles. 'Love Takes Time' was performed on 'The Arsenio Hall Show' as well as Carey's televised performance at 'The Tattoo Club.'^[15] The third single from Mariah Carey, 'Someday', was performed at the 1991 American Music Awards which helped it reach number one in the United States. Carey's fourth single 'I Don't Wanna Cry', reached the top of the Hot 100 without any immediate promotion, as Carey had not performed the song until her Music Box Tour in 1993.^[15] As promotion for Mariah Carey ended, Sony released a fifth single 'There's Got to Be a Way', in the UK. Most of the albums singles were performed live throughout Carey's short Music Box Tour. Both 'Vision of Love' and 'I Don't Wanna Cry' were performed on Carey's Asian and European Daydream World Tour (1996).^[15]

Singles[edit]

'Vision of Love' was the first single released from the album and became one of the most popular and critically praised songs of Carey's career.^[2] Additionally, 'Vision of Love' is credited with bringing the use of melisma to the 1990s and inspiring various future talents. 'Vision of Love' was nominated for three 1991 Grammy Awards: Best Female Pop Vocal Performance (which it won), Record of the Year and Song of the Year.^[16] The song received the Soul Train Music Award for Best R&B/Soul Single, Female and a Songwriter Award at the BMI Pop Awards.^[16] In the United States, it peaked at number one on the BillboardHot 100, during the week of August 2, 1990, staying atop the chart for four consecutive weeks.^[17] 'Vision of Love' topped the singles chart in Canada and New Zealand as well, and appeared within the top ten in Australia, Ireland, the Netherlands and the United Kingdom. Aside from its chart success, the song was lauded by music critics. In a retrospective review on the album in 2005, Entertainment Weekly called the song 'inspired' and complimented Carey's use of the whistle register in the song.^[18] Additionally, Rolling Stone said that 'the fluttering strings of notes that decorate songs like 'Vision of Love', inspired the entire American Idol vocal school, for better or worse, and virtually every other female R&B singer since the nineties.'^[19] Bill Lamb from About.com said that 'Vision of Love' is one of the best songs of Mariah's recording career [...] It is simply one of the most stunning debut releases ever by a pop recording artist.'^[20]

'Love Takes Time' served as the album's second single. The song became Carey's second single to top the singles chart in the United States, and third chart topper in Canada.^[21][22] While the song achieved strong success stateside, 'Love Takes Time' barely charted inside the top ten in New Zealand and outside the top 20 in Germany, the Netherlands and the United Kingdom.^[23][24] 'Someday' (the album's third single) followed a similar pattern as 'Love Takes Time,' topping the chart in the US and Canada.^[21][25] In Australia, it peaked outside the top 40, and hit number 38 in France and the UK.^[26] 'I Don't Wanna Cry', the album's fourth single, also topped the charts in the United States.^[21] The song became Carey's fourth chart topper in the US, finishing number 25 on Billboard'syear-end chart. Aside from peaking at number two in Canada, it charted at number 49 in Australia.^[27] A fifth single, 'There's Got to Be a Way', was released in the United Kingdom, where it peaked at number fifty-four.^[15]

Critical reception[edit]

In a contemporary review, Entertainment Weekly wrote that while Carey possessed an 'astonishing vocal range and high ideals', the album was plagued by poor songwriting.^[31]Robert Christgau was more critical in The Village Voice, unenthusiastically touching on the opera roots of Carey's mother while finding much of the material clueless about its love themes.^[34] Jan DeKnock from the Chicago Tribune was more impressed by the album, finding it abundant with 'sparkling tracks' that showcase Carey's songwriting and production talents, particularly 'Vanishing'.^[29]Mariah Carey was nominated for the 1991 Grammy Award for Album of the Year, while 'Vision of Love' received nominations in the categories of Song of the Year, Record of the Year and Best Female Pop Vocal Performance. Carey won for Best Female Pop Vocal Performance and also received the award for Best New Artist.^[4]

In The Rolling Stone Album Guide (2004), Arion Berger later wrote that 'Carey debuted with an album of uplifting dance pop and R&B ballads, each song's composition co-credited to Carey and each providing an opportunity to unleash her wide vocal range.'^[33] Ashley S. Battel from AllMusic found the record 'extremely impressive' and described the songs as 'smooth-sounding ballads and uplifting dance/R&B cuts' on an album that served 'as a springboard for future successes'. 'Carey establishes a strong standard of comparison for other breakthrough artists of this genre', Battel concluded.^[28]

Accolades[edit]

Commercial performance[edit]

Mariah Carey entered the US Billboard 200 at number 80, and reached the top 20 in its fourth week. The album topped the chart in its 36th week, due to Carey's exposure at the 33rd Annual Grammy Awards, and stayed there for 11 consecutive weeks; to date, it is the longest stay at number one in Carey's career.^[15] It remained in the top 20 for 65 weeks and on the Billboard 200 for 113 weeks.^[15]Mariah Carey was certified nine-times Platinum by the RIAA on December 15, 1999. The album has sold 4,885,000 copies in the United States, according to Nielsen SoundScan, which began counting sales after January 1, 1991.^[36] It became the best-selling album of 1991 in the United States.^[37]

In Canada, the album peaked at number one on the Canadian RPM Albums Chart during the week of April 20, 1991.^[38] To date, Mariah Carey is certified seven-times Platinum by the Canadian Recording Industry Association (CRIA), denoting shipments of 700,000 copies.^[39] The album peaked at number six in Australia, where it went double Platinum and finished sixth on the ARIA Charts end of 1991 top 50 albums.^[40][41] During the week of September 15, 1990, Mariah Carey entered the UK Albums Chart at its peak of number six.^[42] After spending 40 weeks fluctuating in the chart, the album was certified Platinum by the British Phonographic Industry (BPI), denoting shipments of 300,000 copies.^[43] Worldwide sales of the album stand at 15 million copies.^[44]

Track listing[edit]

Personnel[edit]

Mariah Carey Mp3 Songs

• Mariah Carey – vocals, background vocals, arranger, vocal arrangements
• Ben Margulies – drums, keyboards, programming, arranger
• Narada Michael Walden – drums, arranger, additional production, rhythm arrangement
• Ren Klyce – Linn drums, Fairlight programming
• Joe Franco – drums, percussion, drum programming
• Ric Wake – drum programming, additional arrangement
• Omar Hakim – drums
• Jimmy Rip – guitars
• Chris Camozzi – acoustic guitar, electric guitar
• David Williams – guitars
• Michael Landau – guitars
• Vernon Reid – guitars
• Nile Rodgers – guitars
• Rhett Lawrence – keyboards, recording, mixing, arranger
• Louis Biancaniello – keyboards, bass, programming, rhythm programming
• Richard Tee – piano
• Marcus Miller – Fretless bass
• Walter Afanasieff – synth horns, keyboards, synthesizers, synth bass, arranger
• Billy T. Scott – background vocals
• The Billy T. Scott Emsemble – background vocals
• Fonzie Thornton – background vocals
• Chris Toland – arranger, additional engineering
• Rich Tancredi – additional arrangement
• Patrick Dillett – engineer, recording, mixing
• Bob Cadway – engineer, recording, mixing
• Dana Jon Chappelle – engineer, mixing, additional engineering
• Manny LaCarrubba – additional engineering
• Larry Alexander – mixing
• Bob Ludwig – mastering, (at Masterdisk)
• Howie Weinburg – mastering (at Masterdisk)
• Tommy Mottola – executive producer

Charts[edit]

Certifications[edit]

Mariah Carey Download I Wanna Know What Love Is

References[edit]

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80. ^'Dutch album certifications – Mariah Carey – Mariah Carey' (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved August 30, 2017.Enter Mariah Carey in the 'Artiest of titel' box.
81. ^Dean Scapolo (2007). The Complete New Zealand Music Charts 1966-2006. RIANZ. ISBN978-1-877443-00-8.
82. ^'Guld- och Platinacertifikat − År 1987−1998'(PDF) (in Swedish). IFPI Sweden. Retrieved August 30, 2017.
83. ^'The Official Swiss Charts and Music Community: Awards (Mariah Carey; 'Mariah Carey')'. IFPI Switzerland. Hung Medien. Retrieved August 30, 2017.
84. ^'British album certifications – Mariah Carey – Mariah Carey'. British Phonographic Industry. Retrieved August 30, 2017.Select albums in the Format field.Select Platinum in the Certification field.Type Mariah Carey in the 'Search BPI Awards' field and then press Enter.
85. ^'American album certifications – Mariah Carey – Mariah Carey'. Recording Industry Association of America. Retrieved August 30, 2017.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.

Works cited

• Nickson, Chris (1998). Mariah Carey revisited: her story. St. Martin's Press. ISBN978-0-312-19512-0.
• Shapiro, Marc (2001). Mariah Carey: The Unauthorized Biography. ECW Press. ISBN978-1-55022-444-3.

• Daydream 1995

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About Mariah Carey

The best-selling female performer of all time, Mariah Carey rose to superstardom on the strength of her stunning five-octave voice. An elastic talent who has easily moved from glossy ballads to hip-hop-inspired dance-pop throughout her career, she earned early comparisons to Whitney Houston and Céline Dion, and did them both one better by co-writing almost all of her own material from the start. All four singles off her multi-platinum debut album, Mariah Carey (1990), topped the Billboard Hot 100, beginning with 'Vision of Love,' which also led to Grammy Awards for Best New Artist and Best Pop Vocal Performance, Female. Each one of her proper studio albums, including the diamond platinum releases Music Box (1993) and Daydream (1995), as well as the Grammy-winning The Emancipation of Mimi (2005), has peaked within the Top Five of the Billboard 200, promoted with smash-hit singles that either pushed or adapted to contemporary pop production trends with solid songwriting at the core. By the time she released her 15th album, Caution (2018), Carey was one of only six artists with two songs in the upper half of the Billboard Top 100's All-Time Hot 100 Songs (the record-breaking 'One Sweet Day' and 'We Belong Together').
Born in Huntington, New York, on March 27, 1970, Carey moved to New York City at the age of 17 -- just one day after graduating high school -- to pursue a music career. There she befriended keyboardist Ben Margulies, with whom she began writing songs. Her big break came as a backing vocalist on a studio session with dance-pop singer Brenda K. Starr, who handed Carey's demo tape to Columbia Records head Tommy Mottola at a party. According to legend, Mottola listened to the tape in his limo while driving home that evening, and was so immediately struck by Carey's talent that he doubled back to the party to track her down.
After signing to Columbia, Carey entered the studio to begin work on her 1990 self-titled debut LP. The heavily promoted album was a chart-topping smash, launching four number one singles: 'Vision of Love,' 'Love Takes Time,' 'Someday,' and 'I Don't Wanna Cry.' Overnight success and Grammy wins in the categories of Best New Artist and Best Pop Vocal Performance, Female (for 'Vision of Love), made expectations high for the follow-up, 1991's Emotions. The album did not disappoint, as the title track reached number one -- a record fifth consecutive chart-topper -- while both 'Can't Let Go' and 'Make It Happen' landed in the Top Five. Carey's next release was 1992's MTV Unplugged EP, which generated a number one cover of the Jackson 5's 'I'll Be There.' Featured on the track was backup singer Trey Lorenz, whose appearance immediately helped him land a recording contract of his own.
In June 1993, Carey wed Mottola in a headline-grabbing ceremony. Months later, she released her third full-length effort, Music Box, which became her best-selling record to that point. Two more singles, 'Dreamlover' and 'Hero,' reached the top spot on the Hot 100. After her first tour and a break, she resurfaced in 1994 with a holiday release titled Merry Christmas, scoring a seasonal smash with 'All I Want for Christmas Is You.' Released in 1995, Daydream reflected a new artistic maturity. The first single, 'Fantasy,' debuted at number one, making Carey the first female artist and just the second performer ever to accomplish the feat. The follow-up, 'One Sweet Day' -- a collaboration with Boyz II Men -- repeated the trick, and remained lodged at the top of the Hot 100 for a record 16 weeks.
After separating from Mottola, Carey returned in 1997 with Butterfly, another staggering success and her most hip-hop-flavored recording to date. #1's -- a collection featuring her 13 previous chart-topping singles as well as 'The Prince of Egypt (When You Believe),' a duet with Whitney Houston effectively pairing the two most successful female recording artists in pop history -- followed late the next year. With 'Heartbreaker,' the first single from her 1999 album, Rainbow, Carey became the first artist to top the Hot 100 in each year of a decade; the record also pushed her ahead of the Beatles as the artist with the most cumulative weeks spent atop that chart.
After signing an $80 million deal in 2001 with Virgin -- the biggest record contract ever -- she starred in her first film, Glitter, and made her label debut with its attendant soundtrack, which went platinum thanks to the single 'Loverboy.' Virgin and Carey parted ways early in 2002, with the label paying her $28 million. That spring, she found a new home with Island/Def Jam, where she set up her own label, MonarC Music. In December, she released her ninth album, Charmbracelet, her first proper studio album to go merely platinum rather than multi-platinum.
The Emancipation of Mimi, her most successful work in years, appeared in 2005. It climbed to multi-platinum status and earned Carey three Grammy Awards -- Best Contemporary R&B Album and, for the single 'We Belong Together,' Best Female R&B Vocal Performance and Best R&B Song -- thus restoring her status as a megastar. Two weeks before the release of her subsequent album, 2008's E=MC2, Carey scored her 18th number one hit with 'Touch My Body,' a feat that pushed her into second place (and past Elvis Presley) among all artists with the most chart-topping singles. That hit song, along with the late April news that she had married Nick Cannon, kept her in the spotlight that year.
Carey went back to work fairly quickly, and in 2009, Memoirs of an Imperfect Angel -- featuring collaborations with the-Dream, including the Top Ten hit 'Obsessed' -- became her 12th studio album. The following year, Carey released her second Christmas album, Merry Christmas II You. She gave birth to twins in 2011, and within a year was performing again and judged the 12th season of American Idol. The Miguel collaboration '#Beautiful,' the lead single to her next album, was released in 2013 and went platinum. Me. I Am Mariah: The Elusive Chanteuse, her first album for Def Jam, followed in 2014 and debuted at number three.
Between releases, Carey started a residency at The Colosseum at Caesars Palace in Las Vegas, which ran from January 2015 to July 2017 and showcased all 18 of her number one singles. She also made appearances on the small screen, directing a Hallmark Channel movie, A Christmas Melody, and guest starring on Empire. On the big screen, she lent her talents to 2017's animated The Lego Batman Movie and the hit comedy Girls Trip. After the conclusion of a summer co-headlining jaunt with Lionel Richie, she debuted a new Vegas residency, which commenced in July 2018. Caution, an album featuring appearances from Slick Rick, Blood Orange, and Ty Dolla $ign, arrived five months later as her first release for Epic. ~ Jason Ankeny

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